EDWARD LOZA / THE HEART BEAT TRAIL

The Heart Beat Trail: Facebook / Bandcamp

Uniform Victor: Facebook / Twitter / Bandcamp

1. Tell me about the gear in the pictures. What is your go-to live rig and why?  The guitar I reach for the most is my 1999 Fender Stratocaster. It’s one the most comfortable and versatile guitars I’ve ever played. This is also the guitar I play the majority of the time in The Heart Beat Trail. For a while, I was modifying the electronics and hardware for fun but the current setup feels and sounds like home. I chose the gold pickguard as a nod to Ken of L’arc en Ciel. Initially, I just thought it looked cool but there ended up being a pleasant side effect. Coincidentally, the pickguard seems to cancel out some of the 60Hz hum from the pickups without screwing up the tone and it even made the guitar a little louder.

My live amp of the moment is a Hughes & Kettner Tubemeister 18 through a Fender Bassbreaker BB-212 cab. The amp is fun because I can push it hard and get a lot of reaction from the tubes. At only 18 watts, the amp sometimes struggles to rise above the band. Because of this I had to get a little more creative with the EQ on my amp and pedals than I would if I just had enough watts to be really loud. This lets me sit in the mix better and not be overly loud for the people in the front row.

On my pedalboard, I have one of my favorite flangers, the MXR M117R. I love sneaking flanger into songs. It can also be used to fake a chorus pedal and channel some lovely John McGeoch sounds. There’s also a Fulltone Deja Vibe on the board. This one is used heavily on the live version of “Cherry Blossoms” to get the syrupy wobble.

The red guitar is a Squier Jagmaster I got from my friend Paul Ryu in Mittens. It’s kind of like a wacky Strat with humbuckers and a short scale Jaguar neck. It’s pretty fun to play so I am grateful that Paul was willing to part with it. The Flying V is my newest guitar. It needs a little tweaking before I trust it live. Some guitars take a little more time to bond with but that’s not necessarily a bad thing. A strange guitar can tell you weird and wonderful things if you take the time.

In the band Peacock, I play lap steel. It is a bit tricky for me to play as it forces me to approach my parts differently than I would on guitar. The tuning among other things puts me out of my comfort zone, which is a bit of fun. It’s perfect for the spooky ghost notes and chords.

When recording, I almost always use my ‘70s silverface Fender Champ or the Groove Tubes Soul-O 45. That Champ is a magical amp that just sounds incredible no matter how I set it. My Vox VBM1 is the amp I used on “Man of Tin” by Uniform Victor to get that ripping, amp-on-fire sound. Amongst the many pedals by the Vox are two of my favorites: the Zvex Fuzz Factory and the ProCo Rat. As much as I LOVE the Fuzz Factory, I find the Zvex Mastotron a little more controllable live. That’s why one is on my board and the other is in the studio. I never build a pedalboard without a Rat. It goes from overdrive to almost fuzz and I love the span of the tone knob. If I could only have one dirty pedal it would be the Rat!

2. Which song is a good example of your style?  The Heart Beat Trail song “Falling” is a good one. On the solos, I tried to make it sound like when you’re dying to tell somebody you’re falling for them but you can’t quite say it yet. The solos feel like the release when you get the courage to say you’re falling in love. I chose a thick distorted sound because I felt the first solo needed to be like when you’re afraid to say you love somebody so you just keep telling yourself. Then the second solo is like when you finally exclaim “I LOVE YOU!” and kiss like it’s the end of the world.

3. What is your “money is no object” piece of dream gear?  Building a custom guitar is something I dream of. I don’t care if it’s not cool to admit but I want a signature guitar; call me up, Fender. Getting the neck just right would be the most exciting part of the build. A compound radius fretboard, jumbo frets, large headstock and an asymmetrical rear profile sound like a good start. For the body, I’d like to think I could come up with something as unique as the Music Man St. Vincent guitar but it would probably end up being a Strat in disguise. Even though I have two sunburst Strats, I kind of hate that color. I would have to go with a more interesting color like cerise.

4. Who is the musician you admire the most sound/gear-wise?  I am torn between Annie Clark of St. Vincent and Nels Cline of Wilco. They both push the boundaries of expected guitar sounds while also being masters of the more familiar sounds. I also love the way they both have elements of exploding discordant noise mixed with heartbreaking beauty in their styles. What I have learned from them is to play with the beauty and danger of a volcano as long as is serves the song.

5. What shows, news or projects do you have coming up?  The Heart Beat Trail will play The Merrow on April 7th with Daring Greatly and The Peripherals. We are currently writing/recording a follow up to So Long, Carcosa. Peacock is a new band with Berkeley Kent Austin, Lia Dearborn, Evan Bethany and I. We are in the middle of recording with Paul Durso at Zos Kia Studios and should have something available very soon.

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