I recently interviewed Andy Shauf for NBC SoundDiego (which you can read right here) but a couple questions I asked him didn’t end up in the final piece. I think they fit here, so enjoy. – Dustin
Andy Shauf: Bandcamp / Website / Facebook
1. You played everything except strings on The Party — is it easier to translate the idea you have in your head by recording everything yourself? Does it come down to a factor of just not knowing which direction to take a song, or not trusting other musicians to get it right? Is it an arduous process?
I really enjoy working out ideas and recording on my own. It’s not arduous at all. It’s not so much about trust, but it takes me awhile to sort out the ideas in my head, and I find it’s a lot easier to do that alone than make people wait around for it to happen.
2. The Party has a very dry sound production-wise — people have mentioned Harry Nilsson or Randy Newman when referencing it, which I think is appropriate. How did you arrive at that kind of sound?
I like the sound of a lot of those records from the ’70s. I also like trying to play quiet, which has informed the way the instruments are recorded and that drier sound.
3. Several songwriters I’ve talked to have mentioned feeling like no song ever feels “done.” When you’ve listened back to The Party, do you feel 100% satisfied with how they turned out? On that note, are there any songs of yours that don’t feel quite right to you when you play/hear them, that you’d like to re-record or re-mix?
I didn’t want to put “Eyes of Them All” on the album but there it is. I mean, I just get to a certain point with songs where I either think it’s good enough or I just never want to hear it again. I don’t think albums are about feeling 100% satisfied. I think you just have to try your best and then move on. If you’re going for 100% satisfaction there’s probably no risk involved.
4. You once told Pop Matters: “I’m a big fan of scrapping songs.” I feel like that’d require such huge restraint and self-control. Is it difficult to let so many songs go? Do you ever worry that there’s only so many songs out there to write?
Scrapping a song is the easiest thing you could ever do, you literally don’t have to do anything to scrap a song. You just forget about it. I think if you keep trying to evolve as a songwriter you won’t run out of ideas. Songs should only open doors to other songs.
5. Obviously, you play several instruments. Is there an instrument you have in mind that you’d want to learn next?
I got a flute for Christmas. I’m going to try and work on that.
6. What’s one song written/recorded by someone else that just blows you away each time you hear it — and makes you wish you had written it?
Randy Newman, “I Think it’s Going to Rain Today.” Everything about that song is perfect.
7. I’ve seen you’ve been playing a Waterloo acoustic a lot, along with a Harmony Rebel and I’ve been loving the tones you’re getting out of them from videos I’ve seen. How did you decide on those two guitars for shows? Are they your go-to’s, or simply guitars you feel comfortable taking out on the road?
I’m a Jeff Tweedy fan so that’s the first place I heard a Waterloo played. I love the tone so much and it’s been my main acoustic since I got it last year. And I’ve always been attracted to the raw sound of the DeArmond pickups in the Harmony so it’s been a go-to for a long time. I also have a Silvertone Jupiter that I play a lot that has the Teisco goldfoils or whatever those are. I just like the clarity of those pickups. They really bite if you gain it right.