1. Tell me about your current rig.
My current rig is an early 1970’s Acoustic 150 Solid State Head through a 6X10” 104 Cabinet. I’ve come to love pretty everything old and vintage but particularly ‘70s solid state and the amazing Acoustic Control Corporation. ACC was a staple of the ’70s rock sound, from John Paul Jones to Frank Zappa to Robby Krieger. Real good stuff and mine breaks up a bit more then the average model so I’ve been told. My main axe is a 10-year-old Mexican Fender Strat. This guitar has outlived them all, been beaten and abused for years and has an incredible neck and feel, setup with 12-gauge strings and a bridge to dive and soar bomb to heaven and hell. The two other guitars I’ve been using a lot recently are a 1970s Hohner Les Paul and a Fender Thinline Reissue Telecaster with humbuckers. Both have incredible sustain and tone, the tele I usually keep in open G or tune up for country stuff. For pedals, I’ve always got my Dunlop wah-wah and volume pedals, Diamond J Drive MK3 Distortion/Clean Boost, MXR Carbon Copy Delay and Xotic EP Booster which is modeled after the EP3 Echoplex Tape delay pre amp used by the likes of Jimmy Page and Eddie Van Halen. Can get the bulk of sounds I am after with these guys.
2. What song of yours do you feel is the best portrayal of your particular sound/style?
“Rock N Roll Band II” would be a great example of my tone and gear. Used a combination of these three guitars on the majority of the new Mrs. Henry recordings all done analog and to 2” tape at Audio Design Recording here in San Diego, CA. On this song, I am using my trusty Strat tuned to open D with a real crapped out and glassy tone getting that Stones/Faces a la Ron Woods vibe. Hit the EP boost on the solo and let it ride.
3. If money was no object, what’s the holy grail piece of gear you’d buy?
Gotta go with the Holy Grail Gibson ’59 Les Paul. Nothing swings like a Les Paul around the neck. Sustain for days, go have a bite and come back and that sucker is still ringing.
4. Who is the musician you admire the most sound/gear-wise?
One musician I am particularly in awe every time I hear him is Adrian Belew. His use of the whammy bar is out of this world. First time I ever heard noise with such finesse and atonal fuzz was Talking Heads Live in Rome 1980, got the whole concert on YouTube and it’s just crushing. Parachute pants and all, and I believe a Strat through a Roland JC-120.
Be sure to catch Mrs. Henry at The Casbah on Thursday, June 2nd with Taken By Canadians (record release show)and Jimmy Ruelas. [INFO] Copies of Mrs. Henry’s new album, Otay, will be available on vinyl at the show.