VINCENT GABUZZI / THE ANODYNES

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The Anodynes: Facebook / Instagram / Twitter

1. Take us through your rig: Do you have a main guitar or use both equally? Do you use this stuff in the studio too?

I play a Fender American Deluxe Tele and a souped-up Fender Starcaster with P-rails. I can’t say one is my main guitar because I love them both and they are two completely different beauties. However, on the most recent batch of songs I’ve been writing, I tend to use my Starcaster. I love the full, warm tone I get out of its semi-hollow body and the P-rails are so versatile; the tones are endless. Both the neck and bridge pickups have a 3-way toggle switch, which in position 1 activates a single coil rail, position 3 activates the P-90, and position 2 activates both — creating a humbucker-style pickup. Then things get real crazy when you combine the neck and bridge pickups, I wasn’t kidding…endless!

Now, getting in to pedals…as a kid, I grew up listening to a lot of Incubus, The Mars Volta, RHCP, Deftones and Rx Bandits, so I’ve always been intrigued by psychedelic sounds. I’ve been using delay, flanger, and modulation pedals since I was a kid and they just always seemed to feel right. As I have grown older, I’ve really gotten into the classics — Hendrix, Zeppelin, Pink Floyd, etc. which has influenced me to use more wah, fuzz and other classic effects. But I also do appreciate something as simple as overdrive for the fact that it’s so pure, there’s no technicality with it and there is nothing to hide behind. Nothing like a hot overdrive pushing your guitar through the roof! What draws me to effects is the emotions and colors each one brings when I play and feel them. Yes, I used every pedal on my board throughout the making of The Anodynes EP, with the exception of my Xotic EP booster. Alright I gotta leave it at that because I could go on forever…

2. I used to play a Twin but stopped ’cause it was so loud and so heavy to haul around — what are your thoughts on it?

I really dig the way my guitars/pedals work with the Twin Reverb, especially my Tele, it’s such a classic combo and I think that’s what keeps it in my lineup. Using multiple effects can really mud up your tone, but the clean/punchy Twin seems to keep clarity despite multiple effects. However, Twin Reverbs are super heavy and loud as you mentioned, so I’ve been contemplating down-sizing to a Deluxe. Though they are still very loud, I like that they tend to break up at a quieter volume. I’m also considering something with a dirty channel — only time will tell.

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3. The Starcaster is a little-known Fender gem — how did you come to pick that up and what do you like about it that other guitars don’t offer?

I was in Walmart, uhh, I mean Guitar Center and there she was, staring straight at me. I walked up, picked her up and introduced myself. She felt good and looked even better. I was drawn to her offset body and bitchin’ headstock. I was in the market for a new babe, so I pulled the trigger. What she had to offer that stood out to me was the affordable price, good feel, and the unique offset semi-hollow body.

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4. I’ve always wanted an EHX Electric Mistress — sell me on it.

The Electric Mistress is a rad pedal that offers classic flange as well as chorus. It’s also got some trickery: When you pull back the rate knob below noon, you can control the rate yourself twisting the knob or you can stop where you want in the middle of a tasty swirl and play in that frequency…as featured in my main tone on “Pretty Little Baby.”

5. What do The Anodynes got coming up?

We have our FIRST show this Thursday, June 15th at The Merrow in Hillcrest and we are all super pumped to play for anyone and everyone. Come watch me tap dance on my pedalboard and let Queen Be win you over with her unique style and soulful voice. Also, we just released our first music video on our Facebook and YouTube — it’s a cover of a tune by Valerie June called “Workin’ Woman Blues” with our own hot sauce. Our good friend, and fellow musician/captain/sheriff Blake Dean of Mrs. Henry, shot and edited the video. He really did a great job and we couldn’t be happier with the way it turned out, thanks Blake! For now, you can listen to The Anodynes EP on Spotify/Soundcloud/iTunes. Follow us on our Facebook/Instagram for other updates on new music and upcoming shows.

THE GORGEOUS BOYSCOUTS

The Gorgeous Boyscouts: Facebook / Twitter / Bandcamp / Website

1. First, give me a run down on what everyone plays?

Nick Schwarz – Vocals, Lead/Rhythm Guitar
Mike Lomangino – Bass, Vocals
Brandon Albu – Drums, Guitar, Programming

2. When did you guys start playing together? And how did you decide on the name?

The band name came about during a camping trip, our friend kept calling our camping group, The Gorgeous Boyscouts. It always gets a laugh any time someone hears it for the first time — so we stuck with it.

We started at the end of 2015 but after a few months, the original bassist quit and we took a few months hiatus. Mike joined the band in June 2016 and we’ve been going strong ever since. We’ve been having a ton of fun hanging out, practicing, and playing shows!

3. Who’s using the Line 6 amp, and for what?

The Line 6 is used for the acoustic guitar which all three of us will play depending on the song. It is a very new piece of equipment and just saw its first live show (at The Merrow show on Dec. 13th).

The amp is described as the amp for the modern guitarist and we agree. It comes with a ton of built-in effects that can be controlled by the pedal board or a smartphone app and is extremely customizable. You can experiment with a built-in looping station and large array of drums tracks making it easy to jam out by yourself and great for writing new material. Haven’t messed with the wireless feature, but good to have options. It also has XLR output. Been impressed with the overall sound and flexibility.

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4. I once had a Fender Twin Reverb but it didn’t have a master volume so I could rarely use it. Looks like you guys are using a vintage one from the ’70s – how did you come to acquire that, and what are your thoughts on its tone?

Nick plays his Strat through the Twin Reverb. He believes it is either from 1970 or ’71.  Nick bought it off an old bandmate (Will from Mariel – they still play around town and you recently just did a piece on their guitarist, Opie). The tone is great. Super clean and very full – classic Fender tube amp sound. It handles the distortion effects amazingly well and the best part is it can get loud. Real loud.

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5. Talk to me about the TC Electronic voice pedals. Do they work well live?

This is tricky. The autotune pedal can be real finicky – but sounds great when it is dialed in. Nick will use it for about 50% of our tunes – just when we’re aiming for a specific sound. Sometimes, the autotune just won’t work right and it sounds better to sing with it off. Not sure if it’s due to the key the song is played in or another factor. It took a few months of experimenting with the pedals on and off and effects being changed to really utilize them properly.

The other vocal pedal is for tone, shape, compression and “de-ess”ing and is always on. Helps add some fullness to the vocals. And really helps with the overall sound.

There are also gains on both pedals so Nick can adjust the vocal volume from the pedal board. You can also change the vocal pitch lower and higher which helps add some variety to the songs. We play a few different styles so it’s a good fit.

 

6. If money was no object, what’s the one “holy grail” piece of gear you’d buy?

Brandon: I do not have a ‘holy grail’ item for myself but I would really like to get Nick new effect pedals and patch cables 😉

Nick: I would love a Gibson Les Paul or an SG. Brandon’s right — I could really use some new patch cables but the constant buzzing and cutting out really spices things up.

Mike: An Avella-Coppolo. They sound amazing and support the local craft.

7. Give me a link to a song that you have online that you feel is best representative of your sound?

It’s hard to pick one song that is best representative of our sound because we all write material and bring a lot of styles and influences to the table. The collaboration forces us out of our individual comfort zones. The end result makes for a very diverse live set that is fun to play and hopefully keeps the audience interested. This is a straight-forward rock tune called “Chrees.” It is one of the first songs we started playing together.

8. What do you guys have coming up?

We have a string of shows throughout December and January, including our album release show on December 19th at Soda Bar. Upcoming shows, social media links, and our brand new EP (which can be downloaded for free) can all be found on our website, www.gorgeousboyscouts.com. We are currently working on a bunch of new songs and are doing some more recording; expecting to release our first full-length album within a year.

JESSE GAWLIK / BROKEN STEMS

The Broken Stems: Facebook / Website / Instagram / Twitter / SoundCloud / Bandcamp

1. Lovin’ the pedal board. Lots of different brands — I’ve heard mixed reviews on Behringer pedals. What are your thoughts on them and the Octaver specifically? Are they good value for the money?

So I actually just purchased the Behringer Octaver, my first thought is that the materials are a little cheap. My second thought, after plugging it in for the first time, was that the sound quality comes out more distorted than I had anticipated. I took a chance on this one for $25 and I’m thinking of returning it. However, for about the same price, the Donner pedals are some of my favorites and much better quality.

2. Was there any trial and error putting this rig together? Have you gone through different guitars and pedals, etc, trying to find the stuff that work best?

Oh there has absolutely been trial and error! I probably have about 10 other pedals not on my board right now from over the years. Your needs change, and the sounds change, and sometimes the songs you’re playing live don’t use those pedals. However, the pedals I use the most are the Fulltone OCD distortion, Boss Digital Delay, and Crybaby Wah. These three combined with the tone of the Fender Twin Reverb and PRS are my favorite combination.

3. Is this the equipment you used on the new Broken Stems record, or did you use studio gear?

This is the equipment we used with the addition to a few plugins for extra sounds. Brad Sweet, our keyboardist and producer, actually recorded the entire album DIY in our garage and closet. We used a combination of the guitar from the amp, and direct-in, to get a full and comprehensive sound. But we used the OCD distortion pedal the most. We did our very best to record a true representation of what we sound like live, giving the album that “it sounds like they are in the next room” kinda feel.

4. That PRS sure is purty. If money was no object, what’s the one ‘holy grail’ piece of gear you would buy that you’ve always wanted?

Oh man, thats a tough question. If there was one piece of gear that I could pick up today it would be a PRS Super Eagle Private Collection. I love the hollow body PRS and this one is a mashup of both, giving it an extremely wide range of tones.

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5. What kind of amp are you using?

I’m using the Fender Twin Reverb XL. The tone and volume that comes from this amp is a thing of beauty. They’re clean at virtually any volume, and its a perfect canvas for my aforementioned pedals to do their work. Clean tone, powerful, and downright sexy if you ask me.

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6. What’s your favorite place to find new gear in town?

I mean, I kinda hate to say it because I will always support the local businesses first, however Guitar Center is just kind of the best place to experiment with different amps, pedals, guitars and more. If you are like me, you might get lost in there for a day. More and more, however, I find myself searching online, watching videos, and reading forums…but still nothing really allows you to get the full experience like the in-house setup that Guitar Center has.

7. What track on the new record do you feel is the best representation of your playing/style/gear?

“What Are You Connected.” Track 2 and title-track to the new album, “What Are You Connected” is one of the more technical songs and definitely my favorite song to rock live because of how much intensity there is. The beginning riff is one I have always dabbled with throughout my playing days and one day it just exploded into this song. It gets full use of the OCD distortion, the solo of the song uses the Crybaby wah to give it that extra feel, and I use digital delay in some of the verses. Out of all the album songs, this one probably rocks the hardest and makes me want to go on a 32-bar solo..which if you ever see us live…we usually will do!

8. Tell me what you guys have coming up?

With the new album released to the world, our next big event will be our Album Release Show at The Irenic on Saturday, Dec. 3rd [get info here]! We have local holistic vendors, local artists doing live painting, an open bar courtyard party before the show and some really talented acts, Creature and the Woods, and King Taylor Project performing before us. It’s an exciting night for us, because not only do we have a new album, we have a brand new light show, new merchandise (hats, hoodies, shirts, stickers, posters, and more), live dancers during one of our songs, and even a couple new-new songs to throw into the set. After the album release party, we are already planning production for the next album. No name for it yet, but we do have a concept in mind…or should I say in our soul 😉