EVER DE LA ROSA / POLUX

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Polux: Facebook / Instagram / Spotify / Website

1. Tell me about the stuff in these photos: brands/models, etc. Are you using all this stuff live, or is this for recording too? Is there anything you’re not stoked on that you might be replacing, or adding soon? Anything that will always be a fixture in your rig?

My rig is used for both recording and live playing, except for the Strat that I only use on recordings on certain songs and to jam at home.

Pedalboard:

1. Joyo PXL8 Effects Loop Router
2. Electro Harmonix Superego Synth Engine
3. Two TC Electronic Flashback Delays
4. TC Electronic Ditto Mini Looper
5. Boss TR-2 Tremolo
6. Boss CH-1 Super Chorus
7. Electro Harmonix LPB-1 Booster
8. 1985 made in Japan Boss DS-1 Distortion
9. Ibanez TS9 Tube Screamer

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The only thing I want to replace on this pedalboard would be the Ditto Looper; I want to get the newer Ditto Looper X2 that has separate footswitches to stop and play a loop instead of the mini one where you have to click a couple of times to stop and re-record with the same footswitch. Being the only guitar player in Polux, it will make it a lot easier to play with sounds and ambient noise.

I can’t live without the Electro Harmonix Superego Synth Engine, the Boss CH-1 Super Chorus and the Tube Screamer — they are the base of my sound at this moment.

Guitars:

1. Fender Jaguar upgraded with ’62 Pure Vintage American Jaguar pickups and a modified Mustang bridge.

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2. Custom build Strat, painted by me with 1980s American Stratocaster pickups and a custom build neck.

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Amp:

Kustom ’36 Coupe Tube amp, made in USA

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2. Which guitar do you like more? The Strat or the Jaguar? And why???

Currently the Jaguar, the scale length I do find a bonus, and the neck profile is beautiful, love the sustain and the overall sound, I always use the same pickup settings (lead circuit with lead and rhythm on and mid tone cut off) and have taped the switches so I don’t accidentally engage them while playing (hahaha), works awesome.

The Strat I use it to jam at home mostly, to get ideas rolling, it’s the one always resting on the stand ready to be picked up.

I also have an Epiphone Les Paul with upgraded pickups, I put a single coil on the neck and a humbucker on the bridge. The sound is interesting to say the least, but not for what I’m doing now, but who knows, maybe for the next album, I’ll get that sucker out and experiment.

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3. What are a couple of your particular favorite pedals that you can’t do without – and explain why? Are there any pedals you have your eye on?

The Electro Harmonix Superego Synth Engine and the Boss Super Chorus with the Flashback delay (need to add an extra pedal here), I love those 3 combined, love the ambient sound you can get with the Superego — it’s a subtle synth, that goes just a bit long and the Super Chorus gives it that sweet spot, throw in that delay and you have this ethereal sound, still sounding like a guitar but with a dreamy tripping sound, for us as a trio, musically covers a lot of dead spots that sometimes are not needed.

I want to try the Electro-Harmonix Synth9, I think it would go well with our current vibe, also the Thermae by Chase Bliss as well as the Empress Zoia — this last one is getting all my attention right now, can’t wait to get my hands on that one; it’s supposed to be available in the Fall, so we’ll see…

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4. Let’s talk about that Kustom amp: When and where did you get it? Does it give you any issues being an older amp? Have you tried other amps? Why do you like this one the most?

It’s a funny story, I actually owned a Fender Super 112 Red Knob, that has to be the worst amp I ever owned, at least for me. I could never dial in the sound I wanted, so I put it up for sale about three years ago on OfferUp, after a month or so, some dood send me an email asking if I was interested in a trade. I guess he had been looking for the Super 112 for a while (no idea why, lol), he said he had a 2005 Kustom Coupe 36 to exchange. At the time, I was interested in getting a Fender ’65 Twin Reverb 85-watt 2×12″ so I was hesitant, but took the chance and went to see the Kustom amp.

As soon as I started testing the amp, I was blown away by the sound, the sound on this thing is first rate — it ranges from clean through great tube distortion, has an enjoyable, ballsy midrange overdrive sound and respectable fat rhythm/clean tone, all-tube sound, not a hybrid. One of the coolest things about this amp is the reverb has a tone on it! There is a direct out (low Z) with a direct volume as well. And it looks awesome!

No issues whatsoever, this thing is solid.

I am currently looking for a Roland JC-120 Jazz Chorus to add to my gear, love the clean sound on that amp.

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5. If money was no object and you could buy any piece of gear for one of your bandmates, what would you buy them and why?

I would probably get Albert a Ludwig Breakbeats Series drumset. It’s compact, has a cool punchy sound and we can carry that sucker easily to all the gigs, haha.

I wouldn’t want to leave Luis out, so I would get him a Fender Rumble Stage 800. Has a ton of features, one that I like the most is that you can have presets and you can easily navigate them in between songs. And of course, it’s super easy to carry around.

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6. What’s the worst piece of gear you’ve bought and why did it suck? On the flipside, what’s the raddest piece of gear you’ve bought and why is it so great?

The worst has definitely been a Boss Metal Zone pedal given to me like eight years ago — that’s the worst pedal ever invented (for my taste at least, haha).

The raddest so far has definitely been my Electro Harmonix Superego pedal — that opened a ton of ideas and experimentation for me. To date, I keep playing with settings and I can always get something different.

7. What’s coming up for Polux?

We have a gig this Friday, June 8, at The Merrow; we signed with C&R Music Group for management to start getting gigs in Mexico City and Hispanic gigs in San Diego; and we are also currently recording the last two songs for our album coming out in August, together with our music video for our single “1984.” We are trying to get more into the Latino rock scene as well after pretty much hitting almost every cool spot in San Diego.

 

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DEAN PRIMICIAS / BE MINE PHANTOM VALENTINE

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Be Mine Phantom Valentine: Facebook / Twitter / SoundCloud

1. Take me through your rig: What do you primarily play during shows? Do you bring all this stuff out or pair it down?

Yes, all the gear is set up for shows — well, except for the baby grand. My brother’s first go-to instrument when he was younger was the piano and he played a lot of classical music like Beethoven and Chopin. Its great for making arrangements. You can create bass, rhythm, and lead and to think that composers created whole symphonies on this. Although its an amazing instrument, it doesn’t make it out to the shows.

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2. Talk to me about your synths! Why do you have those two in particular? Which do you find yourself gravitating toward playing more?

I have been a fan of Korg synths. They are pretty affordable and you get a lot of bang for your buck. They are also small enough to fit in tight places. We are mostly guitar-driven so the idea of having a small synth that can do the trick is appealing. The Microkorg does create a wide variety of sounds and I could see how it gets usage by a lot of popular bands like The Killers and Yeah Yeah Yeahs. You can get pretty big sounds out of this little box with black and white keys and create and store patches easily. Plus, there are some cool presets already. I wouldn’t recommend it if you are going for a good electric piano or piano sound, but we have songs like “Instant Radio” and “Broken Love,” where Wes [BMPV’s other guitarist] plays these really cool wicked organ sounds for parts at a time. The MS-20 Mini is quite different to the Microkorg. It’s a monophonic all-analog synth. I like listening to some of the music that came out of the ‘80s new wave era, where analog synths were widely used. I think the MS-20 Mini does a pretty good job at creating those sounds and can get pretty deep bass. It does seem like there is a resurgence of analog synthesizers and some companies have been reviving old and creating new analog gear. Out of the two synths, I would prefer the Microkorg because you can get a wide variety of sounds and they can be a lotta fun.

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3. Which model Vox is that? And is that a Johnny Marr Jaguar? What do you like most about it? Did anything inspire you to pick those up?

This particular model is the Vox AC30 TB which I believe stands for top boost. I’m not sure if they make these anymore but these have the Blue Celestions, which make a nice warm tone with a healthy mid-range. I have owned Fender tube amps which I really like a lot, you can’t really go wrong with some of the Fender classics or reissues. Wes plays out of a Fender Twin Reverb and it sounds great for recording and live. I just found for me that the AC30 was warmer and could capture some of the lower ranges a little better. Yes, the Jaguar is the Johnny Marr signature model. I spent a lot of time at the guitar shop playing around with different guitars. I found that this guitar felt good and was a good match. It is versatile and, for me, had a creative feel to it which is important when writing music. It has two single-coil pickups but a setting where you can combine them to have a humbucker effect. It also has some boost and treble switches on it, which is really nice. Johnny Marr is one of the pioneers and arguably one of those musicians who started “indie-rock.” I listen to a lot of The Smiths. It was pretty much the album “The Queen is Dead” which made me say, “I have got to learn how to play the guitar.” He created some great music throughout the decades and I’ve kept up with a lot of his music. So in that case, it was hard not to pass up on a guitar that was designed by Johnny Marr.

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4. Very impressive pedalboard! I’ve got an old big box Memory Man too and I’ll never sell it. Do you notice a big difference between the tone/feel of the Boss delay and the DMM? Do you prefer one to the other?

Nice, I agree with you — not for sale. It could be one of those that you regret later. The Memory Man and DD7 are both delay pedals that can do similar things but have their differences. The Memory Man has a warmer and organic sound. The Boss DD7 has a brighter sound to it and seems to respond quicker. I like to use them both but regularly use the Memory Man and then use the DD7 for certain effects for parts of songs for the effects. It can create some psychedelic sounds with the reverse delay too. Although I feel that they combine well together and if I had to choose one, I would probably go with the Memory Man.

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5. If there was one piece of gear you could buy yourself (and money was no issue), what would you get?

Rickenbacker 330, black and white.

6. What does Be Mine Phantom Valentine got going on right now?

We are currently creating new music that we are really excited about! And just started shooting some videos. They should go up soon on our sites. We also finished enough songs to look into recording our music, so definitely stay tuned!

DAVID ROBLES / MADLY

Madly: Facebook / Twitter / Instagram

1. Tell me about your current rig:  Right now I am using a Fender Deluxe, with a 12″ speaker, for my main amp. I experimented with bigger amps but quickly realized that a smaller amp works better for creating feedback. This small amp plus my pedalboard creates the “Madly” guitar sound. My favorite thing to do is twist the knobs on my Line 6 pedals while feed-backing. It never comes out quite the same and it’s a chance for me to have fun improvising during the solo sections of our songs. I try to come up with new sounds with every performance. I use three Line 6 pedals…the DL4 Delay Modeler (Green), the MM4 Modulation Modeler (Blue) and the FM4 Filter Modeler (Purple). I’ve had them forever and they have never let me down.

The latest additions to my pedalboard, thanks to my girlfriend, are the Soul Food and the Octavix. I use the Soul Food as a lead boost and use the Octavix when I need a little extra juice. That thing has a mini-toggle that switches it from 9V to 24V = fuzz pedal on steroids!! And last but not least, the Micro Synthesizer which I use on two songs(“Dead Ends” and “Through You”). I’m a huge fan of retro keyboard sounds, so this pedal was a must for me. I’m sure I’ll be using it a lot more in the future.

2. What is your favorite piece of gear?  That would be the Black Fender Strat that was left with me by a good friend over 15 years ago. She said that she would pick it up whenever she felt inspired to start playing again. Unfortunately, she passed away a few years ago and never picked it up. She always insisted that I play it but I always held back…until recently.  I now play it in her honor. It has become my favorite piece of gear for obvious reasons. It has three Kent Armstrong pickups, so it plays and sounds great! Thanks Fiona, R.I.P.

3. What’s the worst or weirdest piece of gear you’ve ever bought?  That would be my Z-Vex Fuzz Factory pedal. I used it for a while a few years back but it was just too over the top, even for me! It’s almost impossible to control. The overtones that it creates are just INSANE! I’m sure that I’ll come back to it eventually. I’m just not ready for it right now.

4. What’s the one “holy grail” piece of equipment you’d buy if money was no object?  I would definitely try to purchase Jimi Hendrix’s white Fender Strat that was used for Woodstock. No matter how many times I watch that performance, it blows me away every time! I also love watching the Rainbow Bridge performance. He played the white Strat for that one too. He’s so in tune with his guitar that it seems to be part of his body. Physical poetry at its finest. Year after year, he continues to be my biggest source of inspiration. I doubt that I’ll ever get the chance to own his Strat but it sure is fun to dream!

5. What do you have coming up?  We just got done mixing and mastering our upcoming, 8-song album. We just need to finish up the artwork and then plan on pressing some vinyl. I’m sure we’ll have a record release party once it’s ready. As for shows, we have three coming up in the next few months.

• March 17th at Casbah with Systems Officer and The Slashes [info]

• April 22nd at Pour House with Shake Before Us and Dani Bell & The Tarantist.

• May 21st at In-Ko-Pah 3 with Three Mile Pilot, Audacity, The Blank Tapes, Shady Francos, Red Tank!, The Rosalyns, The Downs Family, Some Kind of Lizard, The Gloomies, Sunset intermezzo by the Montalban Quintet, Effects and lighting by Operation Mindblow [info]