Daniel Corrales: Producer / bassists / synths
1. Tell me about your current rig: My live rig with PRGRM consists of two parts: a live bass rig and a live electronics section where I sub-mix sequences, synths and vocoders.
For my bass rig, I’m currently using a 4-string Musicman Sub Bass. I used to own more bass guitars but unfortunately, those got stolen years ago. Personally, I love the Sub Bass for both touring and recording environments; you can produce some sweet sounds with it and I don’t have to worry about it getting banged up a little here and there. One thing I initially didn’t like about it was its physical appearance, therefore I modified it by covering it entirely in black spray paint (it use to be garnet with a silver pickguard, I know dude, eww).
As my main amp, I usually use an Ampeg SVT Classic paired with an Ampeg 4×10 cab, but the SVT Classic is at the shop. As a replacement, I’m using an Ampeg BA-115 combo. I wouldn’t compare it to the SVT Classic but it’s great for touring as well, it’s compact and powerful enough for live settings, plus it also has its own D.I. output. The SVT Classic can project a beast tone but also has the downfall of weighing a ton! I’m really considering keeping it in the studio after I get it back. Either that, or pairing it with a smaller cab.
My pedalboard consists of a Boss TU-2 tuner, Electro-Harmonix Bass Big Muff Pi, TC Electronic Corona Chorus pedal, and the Pro-Co Rat. My main tone comes from the Rat and Corona pairing. I usually bring in the Muff when I want parts to sound fatter and aggressive, or just want to annoy someone. The only thing I would change about my pedalboard is replacing that Bass Big Muff with the British version for guitar.
For the live electronic section, I’m using: a Mackie 12FX 12-Channel Mixer to sub-mix, a MacBook Pro (Logic X) to run the sequence, a Korg Pad-Kontrol to trigger the sequence, and a Micro-Korg for synths.
I’m thinking of running our sequence some other way, or through Ableton, I don’t know, something that allows more live interaction. An extra pair of hands maybe? Can I use my?…oookkay, moving on.
Every part of my rig is always a work progress, and is subject to change depending on whatever the band/project needs. These are some of the effects pedals that I’ve been looking into adding to my rig: MXR Carbon Copy Delay, Pro-Co Turbo Rat, Sans Amp D.I. Driver, some kind of bass compressor, and a proper pedalboard/case.
2. What song of yours (or your band’s) do you feel is the best portrayal of your particular sound/style? The song “Hourglass” would the best portrayal of my sound. A slightly overdriven and modulated tone is noticeable from the beginning of the song. That tone stays the same until the end, when the electric bass changes into a synth line. This arrangement idea is heard in other PRGRM songs too.
3. If money was no object, what’s the ‘holy grail’ piece of gear you’d buy? There is all this gear that could fit that description. For this I would say a vintage Rickenbacker Jetglo Bass, black finish with all cream bindings on the body and neck, large triangular pearl inlays, and the original black layer pickguard.
4. Who is the musician you admire the most sound/gear-wise? Jonny Greenwood from Radiohead. I admire him for different reasons, but I really love how he is all over the place and constantly changing styles, he is a multi-instrumentalist, and he also scored a creepy soundtrack to one of my favorite films, There Will Be Blood.
5. What do you have coming up that we should know about? We have a couple of pretty exciting shows coming up this week. We play with The Fever (from Germany) and Badabing on Thursday, March 10, at The Merrow. [Go here for more info.]
Our label Beta/Noise.Records is also promoting a night for Summer Twins’ (Burger Records) tour on Sunday, March 13, at Tommy’s Casino in El Centro, CA. PRGRM and The Regrettes are also scheduled to perform that night. [Go here for more info.]