ERIC JAMES / ENDCASTLE

DSC_6867

EndCastle: Facebook / Instagram / Bandcamp / Spotify

1. Take me through that luscious rig of yours.

Guitar: 2014 Gibson Firebird

Pedals: Dunlop 535q Multi-Wah > EarthQuaker Devices BitCommander > ToneBone Hot British > ZVEX Box of Rock > Boss RV5 Reverb > Boss DD7 > TC Electronic Flashback > TSVG Emperor > Mad Professor Ruby Red Booster > TC Electronic Spark Boost > TC Electronic Poly Tune

Amp: Music Man RD100

Cabinet: Hand built by my buddy, Frank Andrews. It has 2 12″ Warehouse speakers.

I have a lot of distortion options on my set up and they all sound different. I usually use two of them at the same time. I can go from Skynyrd-style distortion to Dimebag Darrell distortion really quick. I recently picked up the BitCommander, which makes some incredible sounds. It sounds like a synth at times. I haven’t found a use in any of our songs for it but I cant wait to use it in one. For now I just use it for sound effects. I love my TC Electronic Poly Tuner. A lot of people don’t like the idea of it or are scared of it or say it doesn’t work but I have had lots of success. My old boss TU2 I couldn’t see during daytime shows at all, I think they fixed that on the TU3 though. My Poly Tuner pedal is so bright and clear its unbeatable, and once you get used to it, you just strum all the strings at once and it tells you if one is sharp or flat, it makes quick work of tuning in between songs or even during.

DSC_6850

2. Diggin’ the assortment of pedals on the board: I noticed you have two delays on your board — what is each for and why did you choose those two to use?

I use the Boss DD7 for just basic delay use. It has a built-in tap tempo that I’ll use. It is a powerhouse delay that I under-utilize however, only because it is a pain to get down on the floor and mess with the dials during a show. I like to just set it and forget it.

The Flashback delay is also a powerhouse – I wish I had bought the big boy one – the Flashback X4, which has presets and whatever else you need. I use the Flashback for modulated delays. It has a mode for Reverse which does exactly what it says, believe it or not. I go back and forth between the Reverse and the Lo-fi mode. The Lo-fi also does what the name says, it roughens up the sound of the delays and sounds like an old low-fi Beck cassette.

More often than not, I have both the DD7 and the Flashback going at the same time. It works great when clean or distorted. Most of the times I’ll use it clean with the DD7 on and the Flashback delay set on reverse and the notes ring out with a ghostly delay that creeps up back on the note again.

3. Same question with the boosters: Why use both a Ruby Red and a Spark?

The Spark has been on my set up for a few years now and will never leave. It’s a great little boost that I can use for solos to bring my level up a bit. A nice feature with the Spark is that you can either click it on and click it off like a normal pedal, or if you hold your foot down on the switch – it activates – and when you take your foot off, it will turn off right away, so it helps prevent my treestump feet from tripping up on stage, which still happens often.

The Ruby Red is kind of on loan to me from Jesse [Kling, guitarist in Dead Feather Moon]. I use it as a treble boost. I don’t run any EQ pedals and so my Firebird can at times sound more like a Crow when I don’t have any pedals going — so this adds a nice treble boost. It’s a night-and-day difference really and since I received it, I have had it turned on pretty much non stop. I used it in the studio on two tracks recently, and it is the only pedal in use I think for one of the songs.

DSC_6874

4. I remember talking with you about your guitars one time and you mentioned the Firebird was like the worst guitar ever built. But you’ve got it in your rig — why is that?

I have a weird relationship with the Firebird — anyone who has played in a band with me knows it. They are great guitars, but mine was a lemon, and Gibson was no help. Around the time I purchased my guitar, I noticed that a few of my guitar heroes were quietly switching from Gibson. Zakk Wylde, for example, who is known for his massive Gibson collection and signature Gibson guitars, all of a sudden cut ties with them and launched his own brand. Now as we all know, Gibson is dealing with bankruptcy issues. I feel like it is because their quality has gone way down.

I wanted a Firebird ever since seeing the Def Leppard “Hysteria” album tour videos as a kid; 15 years later I finally got one. I should have backed away from the deal when the ‘Big Guitar Store’ employee couldn’t figure out how to tune it, nearly twisting the wrong end of the tuner off, and wouldn’t take my advice of turning the tuning knobs on the back of the head stock. Shortly down the road, it would have tuning, electrical, and cosmetic issues. As soon as I’d fix a problem, another would pop up. I want to point out that the Steinberger Tuners they used for only about one year on the Firebird are both incredible and also the worst thing to go on a Gibson. If one breaks, which they do, you cant just buy one you have to buy the whole pack of 6. Steinberger went out of business and Gibson would not tell me what I was supposed to do with my broken tuner. I had to look on eBay dozens of times per day because apparently it was in high demand, but there weren’t many out there. If it did pop up it would be a pack of 6 for almost $500. I got super lucky one day, months later, and only had to pay $50.

I remember one night throwing my guitar against a tree at an outdoor party that my cover band played, it has honestly played better since that night. I’ll occasionally go back and forth between it and my Telecaster and my SG, but the Firebird fits on me much better and Ill never get rid of it.

5. Love the cabinet you’re playing through: Looks like one of those old Marshall 4×12” tall boys. Surely it must be a pain to haul that around — why not play a smaller combo and mic it live?

It looks massive, but really isn’t too bad. My buddy Frank, who I used to play with (he now plays in SD’s best Black Crowes tribute band The Black Crowes Revival) built it for me. It has two 12″ Warehouse speakers. Really nothing special inside there but it makes a good sound. The top speaker is angled up to my head so I can hear it at shows where we don’t have monitors. I have often thought about a smaller combo and I used to have smaller combos but I like that it is tall so it’s easy for me to turn knobs during the show or more importantly set my beer on top of it so I don’t have to bend down and pick it up.

I really do think there is a sound benefit – although during shows the mic might not pick that up. In practice, it sounds great. Jason from The Bad Vibes has a small Music Man combo that sounds huge however. Also having smaller amps on stage with me makes me feel like I’m in Spinal Tap during the Stonehenge scene — I’m always stepping on whatever is rolling around on stage, so that also explains the big tall cabinet.

DSC_6868

6. I also had a Music Man head for a while and loved it. Where’d you find yours? What do you like about it? Have you had any problems with it, being vintage and all?

I found mine at Moze Guitars in La Mesa. I played Kyle Areford’s [from The Paragraphs, Dead Feather Moon] Music Man and knew I had to copy him and get my own. It took a long time to find but it popped up on the Moze Instagram and I drove down the next day and bought it. I like it so much because I am able to get a tight solid distortion out of it if I want, or I can switch to clean channel and have a warm clean sound with as much built-in reverb as I want. It sounds like a mix of Fender and Marshall to my ears. I think my amp was built in the early ‘80s. The only problem I have had is with the foot switch, but it’s aftermarket so it’s not the amps fault. It’s built like a tank. Kyle and I have had to take his apart to fix it and it took both of us to lift the guts up and put them back in the head.

7. Fun question: If a pedal manufacturer approached you and wanted to build a signature Eric James pedal — what brand would you want it to be, what features would it have, what would you name it, and why?

You’re right, that is a fun question. I don’t know if this would even sound good, but maybe EarthQuaker Devices will read this and be inspired: I want to be able to have a delay/tremolo thing where you can use an expression to slow the speed of it down or speed it up. I have the MiniMoog MF Tremolo that has the expression pedal so you can pretty much do what I described, and I’ve tried it with delays, but I just can’t come close to the sound I’m trying to make. So that would be cool, but realistically if the day ever came to make my own signature ERJ pedal, it would just be a big box with a bunch of lights on it, no effects or anything — just the little led lights all over it that turn on and off because I love lights.

8. What’s the worst piece of gear you’ve ever owned and why? Conversely, what’s the best?

The only thing that comes to mind is the Boss Metal Zone. I guess it has its use somewhere, and everyone likes their sounds but on my set up it sounded like garbage. I ended up selling it to a guy who collected them and had many Metal Zones for some reason.

I think my Music Man RD100 head is the best amp I’ve owned. Its built like a tank. It gets super loud but I am usually able to get a good sound at lower volume.

Not the best — but my favorite piece of gear is my Boss RV5 Digital Reverb. I bought it from Steve Stevens of Billy Idol. It makes some great hall reverb that doesn’t sound like anything an amp reverb could do. I use it often now in our songs.

DSC_6870

9. Wait…you bought a pedal from Steve Stevens? WTF?

[haha] The story isn’t as fun [as you’d think]. Steve Stevens is one of my most influential musicians. Occasionally he sells his personal gear on his website (his Premier Guitar Rig Rundown video is incredible by the way). I was lucky enough to catch one of his sales and that’s how I got it. He autographed it to me and included a Steve Stevens playing card and some of his signature picks with his ray gun logo. I also hit him up one day asking a question about how he recorded one of his guitar tracks and he wrote right back — he’s a great guy!

37727479_10155758037449677_8382338481619206144_n

10. That’s straight up awesome. Speaking of awesome — you’ve seen a ton of bands play in town and I know you’re always scoping out what everyone’s using: Who do you think has the most awesome gear?

I can’t remember the last time that I went to a show and didn’t come home wanting to buy new gear because of whoever played that night. There’s no shortage of great guitar setups and guitar players in San Diego or traveling through on tour.

Jesse, from Dead Feather Moon, has my favorite sound. Between his gear and his playing style, he definitely has a unique sound that really comes to life when he plays live. He’s a wizard when it comes to his gear. Also Daniel “Cuervo” Cervantes from Mrs. Henry and 10 other bands. I remember one night being blown away at one of their Belly Up shows at how great his sound was, and he explained it was just his cheap Acoustic amp. [Read Cervantes’ own Gear and Loathing feature here to find out more about his rig]

Flickr_-_moses_namkung_-_Muse-6

(Photo by Moses Namkung)

11. If money was no object, and you could buy any piece of equipment on the planet for one of your bandmates — what would you buy, who would you get it for, and why?

Dennis, our frontman/singer/guitar player extraordinaire, is one of the craziest, most expressive guitar players and songwriters I’ve ever met. I would get the guy who made Matt Bellamy’s crazy guitars [Hugh Manson, from Manson Guitar Works] with the built-in midi pad and what not, and have him make Dennis something even better. Also I’d have to get him a Theremin because he knows how to use those things.

12. What does EndCastle have coming up?

We’re stoked to be playing with Bosswitch and M. Crane at The Merrow on Thursday, July 26th. After that, we are playing on August 18th at Manhattan Bar and August 19th at Aztec Brewery. We are slowly recording songs at Emerald Age Recording, so we will have a few more songs up on our Spotify page soon. We’re working on new artwork and merch; I’d really like to make some EndCastle pogs.

Advertisements

JOHN VINEYARD / THE OXEN

 

John_Pedals (1)

The Oxen: Facebook / Instagram / Soundcloud

1. Take me through your rig: You’ve got some really cool stuff – how’d you end up using what you do?

I’ve accumulated a lot of equipment, and a lot of junk, over the past 25 years! Some of my pedals were recommended by the other guitar player in my old band (El Gato) from Denton/Dallas, TX. We started in the mid-‘90s, so there were no internet reviews or YouTube demos. His guitar always sounded better than mine, so I just took his word for it on a lot of stuff. These days, I do some research online and peek at other people’s gear if I think their guitar sounds good.

John_1994-95_Fender_Jaguar_MIJ (1)

2. How did you end up with that Jaguar? What model is that? And give me the backstory on the Texas sticker…

I got that Jaguar new at a guitar show in Dallas back in the mid-’90s. It was made in 1994-95 in Japan. I recently put some Curtis Novak pickups in it, which I like way better than the stock pickups. I also got a modified Mustang bridge which has solved the problem of strings jumping into the wrong groove on the saddles when I play hard.

Aside from being from Texas, the flag sticker idea was inspired by (or stolen from!) one of my favorite guitar players, Chris “Frenchie” Smith, of the Austin band Sixteen Deluxe. He plays at high volume with a reckless enthusiasm that I love. He has an American flag sticker in that spot on his Jazzmaster, so I guess I put that Texas flag sticker on my guitar as a constant reminder that it is more important to play fearlessly and expressively than to be timid and technically “perfect.”

John_Musicman_210_SixtyFive (1)

3. I used to have Musicman head that I loved, so I’m way into that combo you have. What drew you to the Sixty-Five?

I really love my Musicman 210 Sixty-Five. I played a Vox AC30 for a long time, and I do still have it. My Vox is from 1985, and it has a darker sound than a lot of the more desirable AC30s. Recently, I started wanting an amp that would give me more of a twang sound, and I was researching Fender Twins. A lot of people were recommending vintage Musicman amps as a less expensive alternative. I found this one on craigslist for $400, and jumped on it. I’m super happy with it, and I’ve pretty much been using the Musicman live, but I use both amps for recording.

4. Love your pedalboard: What’s the one effect you use the most?

The effect I use the most is probably my Death By Audio Fuzz War. It’s my favorite distortion pedal that I have ever owned.

John_PedalMonster_Closeup (1)

5. I’ve heard mixed reviews on those Dunlop Tremelo pedals. Give me your quick review of it. Also, that big-box Memory Man looks like a slightly older one — late-‘80s/early-‘90s before the reissues? Totally drool-worthy. What do you like most about it?

The Dunlop Tremolo works fine for me, and I’ve had it for about 20 years. There was a time when I couldn’t get it to go as fast as it originally did, but some friendly elves must have come and secretly fixed it one night because it started working again. I think there are less expensive alternatives that work just as well or better, but that’s what I got. It takes up a lot of room – like the Memory Man – which is also about 20 years old. I can do some fun stuff with the chorus effect on the Memory Man when recording, but live, I pretty much use it as a straight delay.

electro-harmonix-deluxe-memory-man-mk3-430550

6. If you could get one piece of gear for one of your bandmates as a gift — what would you get, who would it be for, and why?

I think I would get Jozette a giant Orange Amps full stack that would tower over her. She loves those amps, and I think it would be fun to see such a tiny woman with such a giant rig. Of course, I would wind up loading and unloading it, so maybe I should rethink that…

or50_412stack_01

7. What’s your favorite Oxen song to play live and why?

Probably “Glass Pastures” just because it’s weird and has a lot of fun little parts.

See The Oxen at The Merrow on Saturday, Feb. 17, with Nowhereland and Sweet Myths. They’re also up for Best Rock Band at the 2018 San Diego Music Awards (vote for them here)

NAMM 2017: In Photos

We went, we saw, we conquered. Gear and Loathing in San Diego presents: Winter NAMM 2017 in photos. Many thanks to James Albers for his photo contributions (and for the badge!) — Dustin

IMG_6252

THE BEST OF NAMM 2017

I went to NAMM for the first time over the weekend and was alternately blown away and overwhelmed. It’s been a lifelong dream to go – and this year, I finally got to make the trek up to Anaheim (thanks, James!) While there, I tried to see/do as much as I could but, of course, couldn’t get to everything. I’ve made my top picks below, and hopefully can share some info on some new products that I found to be inspiring. Lots of lots of pictures to follow over the next few days. Thanks for reading – Dustin

img_4334

Best Booth Experience: Earthquaker Devices. Going to this booth was the equivalent of being a kid in a candy shop. Beautifully laid out, super friendly staff, rad guest artists (Juan Alderete, Swami John Reis, Justin Pearson, and Earthless, among others) and some of the best, wackiest guitar pedals around. Their new Space Spiral is an extremely tasty, zany delay that only EQD could dream up. Loved every minute there.

Worst Booth Experience: ChickenPicks. OK, I understand a lot of companies can’t just give away tons of swag, but when your entire exhibit is based on a new style of pick — simply give them away (how much can they possibly cost?). One of their staff approached us with five picks on a silver platter and after he described why they were better than regular picks, I asked if I could have one to try out. He said no, and instead instructed me to go to their website to possibly get one sent to me (“they’re good about sending out samples,” he said). OK, if nearly every guitar company at NAMM is giving away picks, and your entire company revolves around picks, how can you not offer them to people who come by the booth? Makes no sense. Tip for ChickenPicks: Give one pick out to each interested booth attendee after scanning their badge QR code (like D’Angelico did). That way you build your email newsletter database and get something in return for giving away your precious picks. Ugh.

Best Swag: D’Angelico. Dude: hand sanitizer, rolling papers, strings, lighter, and a legit bottle opener? These folks did it right. Besides, their guitars are super legit.

img_4403

Best Giveaway: Clip-on tuner from Reverb. Snagged the last one at the booth! #Winning

Best Off-the-wall Product: VR drums by Aerodrums. Watched a dude play an entire drum kit in real time with nothing in front of him. The future of music? No real instruments needed – just VR programs? Pretty trippy to watch.

img_7997

Best New Pedal: (tie) Satellite’s White Amplifier emulator / Empress Echo System. Satellite (made right here in San Diego) blew me away with their new line of pedals and guitars. Their White Amplifier emulator in particular is just everything a great overdrive should be. Warm, raunchy, amp-like tones – it literally sounds exactly the way a cranked low-watt, small-speaker tube amp should sound. I was blown away. Pricey ($349) but very worth it. Can’t beat the build quality either. Super solid, like everything else they make.

img_4468

The Empress Echo System pedal is like the anti-thesis of the White amp emulator. Whereas Satellite pedals take one concept and make the best pedal based on that, the Empress Echo System takes everything you’d want about a digital delay and ups the ante with 25+ different modes, presets, several different types of dual-delay engine settings while keeping it surprisingly easy to use. I’m not a huge fan of screens and menus, so keeping this all buttons and knobs appeals to me in a big way. Well done. Not sure on the price point but I’m guessing it won’t be cheap.

img_4348

(Honorary mentions: Catalinbread Belle Epoch Deluxe, JHS + Ryan Adams’ VCR, Chase Bliss Brothers Analog Gainstage)

Best New Electric Guitar: (tie) Supro Island + Americana Guitars / Ernie Ball Musicman St. Vincent models. Both of the new Supro guitar series are just great from top to bottom. Had the pleasure of plugging most of them in and they sounded delightfully gritty with much more comfortable necks than their baseball-bat-styled ‘60s brethren. At their price points ($699-$1,299), you can’t go wrong.

Whereas Supro is rehashing older designs, Ernie Ball Musicman and St. Vincent continue to push the envelope with her signature model ($1,899-$2,099). That unique body shape, new pickup configs, and more beautiful colorways improve on an already impressive debut last year. The necks are super smooth and you can get nearly any sound out of ’em too. So rad.

(Honorary mention: Satellite’s Coronet-style guitar)

img_4476

Best New Acoustic Guitar: Martin John Prine D-28. OK, it’s a $7,000 guitar but it played like absolute butter. (Honorary mention: Taylor’s new 800 Deluxe series)

Best New Acoustic Amplifier: Orange Valve Pre Twin Channel acoustic pre-amp. “The world’s first stereo valve acoustic pre-amp and active DI.” Has got everything you’d need covered when it comes to an acoustic pre-amp, and sounds as good as it looks. Not sure on price yet.

img_4314

Best New Guitar Amplifier: Milkman Sideman (50 watt, 1×12” combo). While it’s got a little more power than I look for in an amp, it still sounds beautiful throughout the volume dial. Milkman craftsmanship is unbeatable too (btw, the amp runs around $3,099). Swoon.

(Honorary mention: Paul Reed Smith J-Mod 100)

img_7773

Best New Bass: ESP Frank Bello J-4 ($3,999) / LTD Frank Bello FB-J4 ($999). Fantastic playing and sounding Jazz/Precision-style hybrid with rad red binding. Looks sharp, plays sharper. Honestly though, anything Anthrax gets a thumbs up from me.

img_4399

Best New Bass Amplifier: Trace Elliot ELF Amp (200 Watts, 4 ohm, 1.6 pounds). Put this thing in your pocket and go to work. Only $299.

Best New Synthesizer: Dave Smith Instruments REV2. DSI revised their Prophet ’08 synth with a new step sequencer, wave shape modulation, effects and great price points (12-voice for $1,999 and 8-voice for $1,499).

img_4377

Best New Snare: Ludwig Black Beauty 14×8 Snare. A reissue of a classic!

Booth of the Year: Moog Music Inc. The legendary company took the road less traveled with their booth this year but not displaying new products or their vast product line — but rather paid homage to some of the musical legends that we lost in 2016, including Don Buchla, Keith Emerson, Pauline Oliveros, Bernie Worrell, and Isao Tomita. It was refreshing to see and be a part of such a classy tribute. Hat’s off to y’all, Moog.

img_4304

RC KRUEGER / MARIEL

Mariel: Facebook / TwitterSoundCloud / Bandcamp / Website

1. Take me through these rigs!

To clarify, the guitar set-up I sent you is what I plan on playing in the coming month when Mariel adds another member. For the past year or so we have been playing as a three piece: Opie Tran on guitar, Billy Hagan on drums and me on bass, but prior to that we had another guitar and keys and that’s closer to how I hear it in my head and what the recordings reflect. Also on the recordings is a female voice, which has been fun trying to replicate with us three boys all taking those parts, but again not how I hear it. So the plan is for me to move to guitar and add a lady on bass and vocals. I just thought I should explain why I sent you two set-ups.

For my bass setup, I play a Music Man Sterling, which is a cheaper version of the Stingray, through an Orange Terror Bass combo and the only pedal I use is a The Wolf by Devi Ever, which is fuzz.

For guitar, I mostly play a Squier Vintage Modified Jazzmaster. It’s the one with the simplified electronics, it doesn’t have those knobs at the top, just a normal three-way switch, which I like. I play that through a Vox Night Train with just the 112 cab. I’ve gotten to the point where I don’t want a whole lot going on pedal-wise, so now I just have a Malekko Spring Chicken reverb, and two stages of dirt, an Earthquaker White Light overdrive and a Walrus Audio Iron Horse distortion. Opie thought I was crazy when I told him I didn’t even want one delay on my board. He has like 12.

2. Either that skull is giant or that bass amp is really tiny. Which is it? Next: Where the heck did you find that skull and does it accompany you guys to shows?

Both. The Skull, affectionately called Skulliosis, is very large, but a huge reason for me getting that Terror Bass was how small it is. It’s super small, sounds amazing and is plenty loud. Skulliosis does come with us to shows. My friend Seth Eubanks of the band Sullen Ray used to carry it around to shows and always have it at the front of the stage. A couple years back, he was moving out of a warehouse space that we at one point shared and he told me he had a pile of stuff that either belonged to me or I could have. Skulliosis was in that pile so I decided I would carry on the tradition and he’s been at every show we’ve played since. Also in that pile was a suit of armor that now sits on my front porch. So if you’re ever in North Park and see a suit of armor, that’s my house.

bass_gear_wide

3. Praytell – what is that Wolf bass pedal?

The Wolf is a fuzz pedal made by Devi Ever. It’s wicked. It’s been really important since we’ve been a three-piece. On big parts where it’d be nice to have another guitar chumming along while Opie plays a lead, I can turn that on and play chords and it fills that spot. All the harmonic goodness really helps those parts.

thewolf

4. Talk to me about your Vox Night Train: There’s a million amps out there – why rock the Night Train (which rules)?

You’ll start to see a pattern here, but I really liked the idea of getting a lunchbox amp for ease of transportation and the Night Train is my favorite one. I agree that it rules. I think it sounds great, but I’m definitely a Vox guy. I also have an AC-15 that I love.

night_train

5. Walk me through this awesome pedalboard: Some excellent boutique choices – what’s the difference between the EQD White Light and the Walrus Iron Horse?

For me, a lot of the fun in pedals is the collector aspect of it. I’m a pretty big geek. I love screen-printed posters, small record labels, toys, geeky stuff like that. Boutique pedals can fall into the same category for me. I love the idea of one guy making this awesome piece of gear in his basement and then his print-maker buddy puts this incredible art on it. Not to say that that’s more important than the actual function of the gear, but it factors in. It’s why I’d prefer to have that Spring Chicken as opposed to say a Boss reverb. You know what I mean?

The White Light is overdrive. I pretty much always have it on and the Iron Horse is for when I want to get dirty. I chose the Iron Horse specifically because I used to have this old Rat from the ‘80s, so it had the LM308 in it and it sounded incredible, but it did wacky things. When you turned it on, it would work fine, but when you turned it off it would cut the power on everything else on the board, so it ended up only being used on some Mariel recordings because that wouldn’t work live. But that Rat got me into the idea of tighter distortion rather than fuzz and that’s where the Iron Horse came in because it can do that.

pedals

6. When and where’d you get that Malekko Spring Chicken? I know some folks that’d like to get their hands on an original issue version like that one.

I got that Spring Chicken a few years ago on eBay. It’s pretty sweet. It can get real wacky if you want it to. And the art is so good.

7. I can confidently say you’re the first to send over pics with Star Wars figurines – which I love cuz I’m a super Star Wars nerd. Firstly: Rogue One – are you stoked? Secondly: The Force Awakens – good or no? Thirdly: Favorite Star Wars character and why?

Already got my Rogue One tickets. I’m super stoked. Maybe more so than I was for Force Awakens. That first Rogue One trailer was so good.

The Force Awakens was really great. I don’t know why people hate on it so much. People’s complaint was that it was too much like A New Hope, I think that’s silly. I’m curious to hear your thoughts on TFA? I thought it was a lot of fun. I like Kilo Ren a lot too because I imagine him saying and doing the raunchy things he does in Girls. Which he’s hilarious in…. oh man, do I lose geek points for bringing up Girls?

Since I was a kid, my favorite character has been Han Solo. I suppose I like his journey the most. He goes from being this shady, out-to-make-a-buck pirate, to respected General. Luke goes from farm boy to Jedi Master, but he’s always the good guy. Han’s intentions start out being pretty shady and he redeems himself pretty hardcore. In Battle Front, my favorite character to play as is Vader — but whose isn’t?

8. What else do you guys have coming up?

All of that. I have big plans for the coming year. We have enough songs for a record, so let’s record them and put them out. I went to film school and could do another Gear and Loathing just on film gear, but do you see any film content for Mariel? That will happen too. But the first step is to get the line-up in order. Hopefully after all that we can get a sick write up from Dustin Lothspeich. Hopefully.

DANIEL CORRALES / PRGRM

PRGRM: Website | Bandcamp | Facebook | Twitter | Instagram | Youtube

Daniel Corrales: Producer / bassists / synths

1. Tell me about your current rig: My live rig with PRGRM consists of two parts: a live bass rig and a live electronics section where I sub-mix sequences, synths and vocoders.

For my bass rig, I’m currently using a 4-string Musicman Sub Bass. I used to own more bass guitars but unfortunately, those got stolen years ago. Personally, I love the Sub Bass for both touring and recording environments; you can produce some sweet sounds with it and I don’t have to worry about it getting banged up a little here and there. One thing I initially didn’t like about it was its physical appearance, therefore I modified it by covering it entirely in black spray paint (it use to be garnet with a silver pickguard, I know dude, eww).

As my main amp, I usually use an Ampeg SVT Classic paired with an Ampeg 4×10 cab, but the SVT Classic is at the shop. As a replacement, I’m using an Ampeg BA-115 combo. I wouldn’t compare it to the SVT Classic but it’s great for touring as well, it’s compact and powerful enough for live settings, plus it also has its own D.I. output. The SVT Classic can project a beast tone but also has the downfall of weighing a ton! I’m really considering keeping it in the studio after I get it back. Either that, or pairing it with a smaller cab.

My pedalboard consists of a Boss TU-2 tuner, Electro-Harmonix Bass Big Muff Pi, TC Electronic Corona Chorus pedal, and the Pro-Co Rat. My main tone comes from the Rat and Corona pairing. I usually bring in the Muff when I want parts to sound fatter and aggressive, or just want to annoy someone. The only thing I would change about my pedalboard is replacing that Bass Big Muff with the British version for guitar.

For the live electronic section, I’m using: a Mackie 12FX 12-Channel Mixer to sub-mix, a MacBook Pro (Logic X) to run the sequence, a Korg Pad-Kontrol to trigger the sequence, and a Micro-Korg for synths.

I’m thinking of running our sequence some other way, or through Ableton, I don’t know, something that allows more live interaction. An extra pair of hands maybe? Can I use my?…oookkay, moving on.

Every part of my rig is always a work progress, and is subject to change depending on whatever the band/project needs. These are some of the effects pedals that I’ve been looking into adding to my rig: MXR Carbon Copy Delay, Pro-Co Turbo Rat, Sans Amp D.I. Driver, some kind of bass compressor, and a proper pedalboard/case.

2. What song of yours (or your band’s) do you feel is the best portrayal of your particular sound/style? The song “Hourglass” would the best portrayal of my sound. A slightly overdriven and modulated tone is noticeable from the beginning of the song. That tone stays the same until the end, when the electric bass changes into a synth line. This arrangement idea is heard in other PRGRM songs too.

3. If money was no object, what’s the ‘holy grail’ piece of gear you’d buy? There is all this gear that could fit that description. For this I would say a vintage Rickenbacker Jetglo Bass, black finish with all cream bindings on the body and neck, large triangular pearl inlays, and the original black layer pickguard.

4. Who is the musician you admire the most sound/gear-wise? Jonny Greenwood from Radiohead. I admire him for different reasons, but I really love how he is all over the place and constantly changing styles, he is a multi-instrumentalist, and he also scored a creepy soundtrack to one of my favorite films, There Will Be Blood.

5. What do you have coming up that we should know about? We have a couple of pretty exciting shows coming up this week. We play with The Fever (from Germany) and Badabing on Thursday, March 10, at The Merrow. [Go here for more info.]

Our label Beta/Noise.Records is also promoting a night for Summer Twins’ (Burger Records) tour on Sunday, March 13, at Tommy’s Casino in El Centro, CA. PRGRM and The Regrettes are also scheduled to perform that night. [Go here for more info.]

After that, we have another date scheduled in San Diego on March 26 at The Ken Club, with The Slashes, Blood Ponies, and The Foreign Resort. [Go here for more info.]