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The Oxen: Facebook / Instagram / Soundcloud

1. Take me through your rig: You’ve got some really cool stuff – how’d you end up using what you do?

I’ve accumulated a lot of equipment, and a lot of junk, over the past 25 years! Some of my pedals were recommended by the other guitar player in my old band (El Gato) from Denton/Dallas, TX. We started in the mid-‘90s, so there were no internet reviews or YouTube demos. His guitar always sounded better than mine, so I just took his word for it on a lot of stuff. These days, I do some research online and peek at other people’s gear if I think their guitar sounds good.

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2. How did you end up with that Jaguar? What model is that? And give me the backstory on the Texas sticker…

I got that Jaguar new at a guitar show in Dallas back in the mid-’90s. It was made in 1994-95 in Japan. I recently put some Curtis Novak pickups in it, which I like way better than the stock pickups. I also got a modified Mustang bridge which has solved the problem of strings jumping into the wrong groove on the saddles when I play hard.

Aside from being from Texas, the flag sticker idea was inspired by (or stolen from!) one of my favorite guitar players, Chris “Frenchie” Smith, of the Austin band Sixteen Deluxe. He plays at high volume with a reckless enthusiasm that I love. He has an American flag sticker in that spot on his Jazzmaster, so I guess I put that Texas flag sticker on my guitar as a constant reminder that it is more important to play fearlessly and expressively than to be timid and technically “perfect.”

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3. I used to have Musicman head that I loved, so I’m way into that combo you have. What drew you to the Sixty-Five?

I really love my Musicman 210 Sixty-Five. I played a Vox AC30 for a long time, and I do still have it. My Vox is from 1985, and it has a darker sound than a lot of the more desirable AC30s. Recently, I started wanting an amp that would give me more of a twang sound, and I was researching Fender Twins. A lot of people were recommending vintage Musicman amps as a less expensive alternative. I found this one on craigslist for $400, and jumped on it. I’m super happy with it, and I’ve pretty much been using the Musicman live, but I use both amps for recording.

4. Love your pedalboard: What’s the one effect you use the most?

The effect I use the most is probably my Death By Audio Fuzz War. It’s my favorite distortion pedal that I have ever owned.

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5. I’ve heard mixed reviews on those Dunlop Tremelo pedals. Give me your quick review of it. Also, that big-box Memory Man looks like a slightly older one — late-‘80s/early-‘90s before the reissues? Totally drool-worthy. What do you like most about it?

The Dunlop Tremolo works fine for me, and I’ve had it for about 20 years. There was a time when I couldn’t get it to go as fast as it originally did, but some friendly elves must have come and secretly fixed it one night because it started working again. I think there are less expensive alternatives that work just as well or better, but that’s what I got. It takes up a lot of room – like the Memory Man – which is also about 20 years old. I can do some fun stuff with the chorus effect on the Memory Man when recording, but live, I pretty much use it as a straight delay.


6. If you could get one piece of gear for one of your bandmates as a gift — what would you get, who would it be for, and why?

I think I would get Jozette a giant Orange Amps full stack that would tower over her. She loves those amps, and I think it would be fun to see such a tiny woman with such a giant rig. Of course, I would wind up loading and unloading it, so maybe I should rethink that…


7. What’s your favorite Oxen song to play live and why?

Probably “Glass Pastures” just because it’s weird and has a lot of fun little parts.

See The Oxen at The Merrow on Saturday, Feb. 17, with Nowhereland and Sweet Myths. They’re also up for Best Rock Band at the 2018 San Diego Music Awards (vote for them here)



Grizzly Business: Facebook / Twitter / Instagram / Bandcamp / SoundCloud

1. Lovin’ the Tele – tell me all about it.

I use to play shows with a Epiphone Sheraton, but as beautiful as she is, she was just too powerful for my sissy style rhythm guitar playing. I found this Thinline Deluxe Tele on craigslist and fell in love with it. Because it’s like a semi-semi-hollow body (if that’s a thing), it has some of the usual Tele twang but not too much with solid mids, which is perfect for me. Coincidentally, I bought it off of Joe from Burning of Rome who had me meet him at a coffee shop in Golden Hill. He told me he never even took her out of his home which led me to accuse him of using it as his bathroom guitar which he denied. It was honestly an honor to buy from such a distinguished guitarist. Sometimes when I hit certain chords I can almost still smell the subtle scent of Febreze 😉


2. Tell me what “I am Beyoncé always!” means to you and why it’s scrawled on your pedalboard.

Well, it’s my favorite Michael Scott quote that can fit in that space. In a way, you can say it represents my inner diva perfectly. I’m also known around the band as like the awful boss so I guess that’s encompassed in there as well. The beauty of my pedalboard is that I made it out of a little chalkboard and I can write anything in there at any time. Right now, I have our setlist for our Soda Bar show this Saturday but I can also draw unicorns on there as well.


3. Talk to me about your pedals – rockin’ the Joyo/Donner options, I see. What drew you to them over other pedals? Would you get higher priced options if you could or nah?

I am very new to the pedal party. When I was 13, I bought a compression sustainer which I thought was going to let me wail long notes like John Frusciante in “Emit Remmus.” That obviously didn’t happen as I now know a compression sustainer is the worst first pedal for a young guitarist. I started buying these within the last year and am beyond stoked. I did a lot of homework watching tons of YouTube videos of different brands and ultimately concluded that these were cheaper and sounded just as good. No amount of fancy pedals could or will ever make me sound like decent guitar player so why break the bank, you know?


4. What amp are you using and why?

These days I use Brian’s (our bass player) Fender Blues Deluxe. All I know about it is that it’s tubed and I’m supposed to put it on standby before and after using it lol. I’ve been so plug-and-play all my life that it’s embarrassing how little I really know about equipment but at the same time I feel it’s kept things simple which I think there’s beauty in.


5. If you had unlimited money, what is the first piece of gear you would buy?

I would quit the band and buy the most expensive grand piano I can find. Preferably previously owned by Beethoven and used as his bathroom piano. I can only really play the Jurassic Park and Forrest Gump theme songs but I’m sure they would sound great on such a fine piece of musical equipment. Maybe a massive harp too, who knows.

6. You guys got a new record coming out (Spanish Old-Fashioned)– how does it measure up against your last? What’s your favorite song on it and why?

My ultimate goal is to convert Grizzly Business into a Dr. Dog cover band. I think on this record we made a couple of baby steps towards that. There are a lot of backup vocals and layers upon layers of pianos and different noises. Brian was pretty new to the band when we made our first EP and you can tell he really made this one more of his own with some amazing bass lines. Matt left the studio with his usual angst of wanting to redo his drums which is always silly as they’re always great. I did my best to be as silly and sarcastic as I can with the lyrics. My favorite song on there would have to be “Fake British Accent.” It’s just a song about all the things you hate about the person you love wrapped in an almost ’50s-like happy prom song bundle. The best line I think I’ll ever come up with is in it which is “when ‘enough’s’ just a line you drew up to refine.” Pretty stupid, I know, but it’s the best I can muster.

7. What’s next for you guys after your CD release at Soda Bar on Saturday, Jan. 7?

After our release, we are jumping on planes and going on tour through Europe with a couple shows in New York as well! We are beyond stoked and are very much counting the days. We’ll probably get eaten alive and lose all our fingers and toes to frostbite but it’ll be great and hopefully we don’t give San Diego too bad of a musical name out there.

Grizzly Business tour dates:

1/7: Soda Bar (CD release with Inspired and the Sleep, and Spero)

1/12: Friends and Lovers (Brooklyn, NY)

1/13: The Delancey (Manhattan, NY)

1/17: The Windmill (Brixton, England)

1/18: The Bedford (Balham, England)

1/19: The Dog and Whistle Pub (Hertford, England)

1/21: Brussels Pub Crawl (Brussels, Belgium)

1/23: TBD (Berlin, Germany)

1/25: CC Muziekcafe (Amsterdam, Netherlands)

1/26: Le Truskel (Paris, France)

1/28: The Good Ship (London, England)