JOAQUIN TORRES / FUTURE HUMAN

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Future Human: Facebook / Bandcamp

1) Tell me about the stuff in these photos: Are you using all this stuff live, or is this for recording too? Is there anything you might be replacing, or adding soon? Anything that will always be a fixture in your rig?

My main guitar that I’m using is a white Fender Hendrix Stratocaster made in Mexico.  And I run that into a Vox AC30 and run the preamp section into a Marshall 4×12″ cabinet (depending on the size of the show).

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The effects I use from [left to right; top to bottom]: Stone Deaf Tremotron /// Eventide H9 /// Boss Cp1-x compressor /// Zvex Loop gate /// Boss TU3S Tuner /// Empress Echosystem /// Chase Bliss Brothers /// Black Arts Toneworks Pharoah Supreme /// Dr. Scientist Frazz Dazzler /// Meris Ottobit /// Ibanez De-7 Delay /// Boss ES-8 /// Digitech Freqout.

I’m always trying out new gear and new stuff that comes out. So while this is my board that I’ve used for recording and I’m using live, there’s some stuff that will probably change, yeah. I haven’t really been using the Z-Vex Loop Gate all that much so I might stick something else on there. I’ve been really interested in Rainger Effects’ new reverb or throwing my Deep Space Pulsar pedal on my board and use it for my synths. If there was one fixture on my board I’d probably say it’s the H9 just because it can do multiple effects in one algorithm. I’m pretty happy with it but one day I might just redo everything and not keep anything from this board’s build, I don’t know…

 

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2) Your pedalboard is fucking insanity. What are a couple of your particular favorite pedals that you can’t do without – and explain why? Do ever wish you had a smaller board? Do you think you’ll ever put a smaller, separate board together? 

If I had to pick my favorites at the moment, it would probably be the Empress Echosystem and the Digitech Freqout. The Echosystem is a delay machine. It’s got a bunch of different kinds of delays. It’s probably my go-to pedal when I’m just jamming because it’s one of those pedals that is very easy to use and I’m always finding new sounds that can come out of it. I think it could be nice to have a smaller board. I’ve never been able to actually do it though. I’ve always had about this size of a board. I used to have a board that was just ridiculous! (hahaha!) It was probably 2 1/2 times the size in length and was double-tiered in the back row. But I mean, the shit was ridiculous to gig with as you could probably imagine. If I did go smaller, I would just use my H9, Echosystem, and Chase Bliss Brothers or BAT Pharoah……if I had to.

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3) Talk to me about that H9 pedal — I don’t know much about them except that you can program a bunch of different pedals/sounds into it right? What do you use yours for?

It’s an everything box of effects. It can only run one algorithm at a time, but some of the algorithms contain multiple effects within one algorithm. I mostly use it for big reverbs, big walls of sound, modulation, and pitch shifting. There’s even a song I use it to make my guitar sound like a bass in a part of the song. I definitely will be digging deeper into this guy on our new material we’re writing.

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4) How do you like that Hendrix Strat? I’ve never been able to bond with a Strat (I’m more of a Gibson guy). What drew you to that guitar? 

I bought it slightly used for pretty cheap. No problems with it really. I first learned guitar on a Strat and then went to a Gibson Les Paul, that I still own. I like both, really. Strats are prone to a lot of noise issues and tuning problems but I just like the tone of the guitar especially with the reverse bridge pickup and the feel of the guitar. But like I said, I might want to change it up for a while and rock something else for a bit.

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5) Talk to me about that Organelle? It’s some type of synth or sampler, right? What do you use it for and what do you like most about it?

Yeah, it’s an Organelle. It’s such a deep piece of gear. Technically, it can pretty much do anything if programmed. I’m pretty sure it’s like a Linux computer that runs “pure data,” which is a computer language used to make algorithms for like a synth, a sampler, an effects engine, a lighting controller, whatever you want it to do. I’m not super knowledgeable about how to build pure data patches but there’s a huge community that do that share these patches. Anyways, I love it! I use it as a secondary instrument usually, and that’s why it’s awesome: you’re not limited to one instrument or one specific type of synthesis.

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6) I’ve gotta ask about the Deep Mind: Have you played any of the synths that are similar to it? What are some pros and cons (if any) about it? If you had a bunch of money to blow on a new synth — what would you get?

Not many, no. I still have a lot to learn on this front. Coming from guitar, and the world of effects, and venturing into making electronic music, I became interested in synths and started getting into this type of sound design, even though I wish I was a better player. There’s a lot to like about the Deep Mind honestly.  The price, the voice count, the effects the semi-modular design. To me, it sits really nicely in a dense mix, and isn’t overbearing, especially when Matt, our synth player, has a Korg Minilogue and I think it sounds most similar to vintage Roland synths but it truly is a chameleon. I was surprised at how good you can make the thing sound for the price. I think it is super underrated.  Especially when you consider I’ve gotten tones that sound amazing that emulate vintage synths without even using the effects engine section or modulation matrix at all! If there is one con, I’d say that I wish it was multi-timbral out of the box without having to polychain it to another DeepMind, but that’s what I use the Organelle for usually.
Hmmm…That’s a tough one. There’s so many cool older synths I would love to mess around with and there’s always new stuff coming out.  But if money was no issue and neither was space, I’d love to get my hands on a Waldorf Quantum or Arturia’s Matrixbrute.

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7) What’s the shittiest piece of gear you’ve bought and why did it suck? On the flipside, what’s the raddest piece of gear you’ve bought and why is it so great?

I used to have a Line 6 Uber Metal pedal that was pretty bad. It was just too overbearing and it was really hard to find a place where it didn’t stick out in a bad way.  The most disappointing piece of gear I’ve had was when I was in a guitar-synth phase and I had a Roland GR20 and GR33. I could never get used to the feel of it. As much as I wanted it to sound good — and don’t get me wrong it was cool sometimes — it wouldn’t track very well and it would always happen at the worst times (hahahaha)! Other than that, over the years, there hasn’t been too many pieces of gear that I didn’t like. I’ve usually let go of stuff because they were either too one note, or my musical interests had changed.

8) What’s coming up for Future Human? 

I’m super excited to announce we will be entering the studio very soon to begin work on our debut EP! We also have a rad show coming up at The Merrow on Tuesday, June 5th (get info here) with Blacks Beach Boys and The Gorgeous Boyscouts — big thanks to you and 91X’s Tim Pyles for putting the show together!

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BRETT PATTERSON / THE WHISKEY CIRCLE

The Whiskey Circle: Facebook / Website / Twitter / Instagram / Bandcamp

Comment below, on the Gear and Loathing Facebook page, or email gearandloathinginsandiego@gmail.com to be entered to win a pair of tickets to The Whiskey Circle’s EP release show at the Music Box on June 23!

1. Tell me about your current rig: For example, why do you use the gear you’re currently using? Best parts? Worst parts?

I guess it all depends on which rig we’re talking about? My main project is The Whiskey Circle with my wife Leanna, but I also play my upright bass for some local bands when needed and produce instrumentals with my brother in a project we call “Dream Queen.” For The Whiskey Circle, I play drums and keys at the same time. I’d prefer to just have separate people playing their own instruments, but at one point The Whiskey Circle was just a 2-piece and we felt the need for something more than guitar and drums. I was inspired by Shovels & Rope for the basic drum kit and keyboard combo.

For the most part, the drum kit I use is a Gretsch Catalina Club that we refer to as “Beetlejuice.” However, the 26″ kick in that Gretsch kit takes up too much space on the road and my Roland Juno kept falling off the top of it. So now I use a 22″ kick that came with a no-name, made-in-Japan kit that I scored off CL for $5. When I play live, I never play with more than a kick, snare and floor tom. When we record, I’ll mix the two kits together (13” and 14” rack toms and 16” and 18” floor toms) and make a 6-piece kit with the 26″ Gretsch kick to get that boom. When we play live, I always use small cymbals (Paiste 13″ hi-hats, 14″ thin crash and 20″ light ride), when we record I like to add a second ride and stereo crashes. My goal when playing for The Whiskey Circle is to always be quieter than Leanna’s vocals and let her be the focus of the song. When there’s a voice like hers in the band, it should never be drowned out by the instruments.

For the “organ” part of the rig, I currently use a Roland Juno Alpha-2 with a Behringer reverb/delay/echo pedal and a Marshall overdrive pedal through an Acoustic B20 bass amp for the low end. The pedals help the Juno not sound like a 1985 MIDI synth (which it is and why I originally bought it), but more like the organ on all of our recordings, a 1976 Kimball Entertainer.

Another cool thing about The Whiskey Circle is the other guitar player, Collin Webb, and I switch between drums and guitar throughout the set. The whole musical chairs thing started back when Daniel Cervantes was playing with us and he wanted to play drums on some tracks (if you didn’t know Dan is a drummer too then you’re missing out). It’s also really hard for me to sing the songs I wrote on guitar while playing drums and organ. Collin and I combine our pedals (although most of them are his) to get what you see in the picture. A lot of cool delays, shifters, modulars, fuzz and most importantly that Boss tuner. Collin plays that red Fender tele and I play Leanna’s daphne blue Mustang. Collin and I both play through his 12″ Fender Blues Jr.

Lastly, you’ll see the two fender basses and the Orange 1×12. Bass is my first instrument and my first love. I’ve recorded the bass for all of The Whiskey Circle tracks in the past and was playing bass in the band originally. My main live bass is the white reissue Fender Musicmaster with new Seymour Duncan pickups. My other bass is a P bass that was pieced together from CL parts: Squier P bass neck, MIM body, DIY surf green pick guard and pickups out of a 1971 American. This is the bass that has been recorded on all of The Whiskey Circle tracks. It needs some TLC as some of the higher frets are not quite right, but if you know how to make it work, then it’s the best thing ever. The Orange amp is a newer 1×12 Crush that was upgraded to 100w, new Jensen speaker and a 3″ tweeter installed to pick up some of the highs when we use the Bass Muff. It’s plenty loud enough to compete with the 12″ fender blues amps we all play with. This is the amp that our bass player uses live.

2. What song of yours do you feel is the best portrayal of your particular sound/style?

This is the demo version of one of the tracks off the new High Deserts EP called “Beaches.” It’s a song about everything I love: Leanna, CA, decriminalizing weed and riding bikes/motorcycles. It’s the first track that I’ve engineered and recorded everything on. Every piece of musical equipment that we own was recorded on the track (all three guitars through the Fender Blues Jr.) and also a Fender Champion (not pictured since we never use it live), the P bass and the Musicmaster (yes double bass tracks are the shit), and the Gretsch kit. It was definitely a pain multi-tracking by myself, but in the end, I think the track has a really nice “if the Velvet Underground hung out with The Blank Tapes in OB” sort of vibe.

 

 

3. If money was no object, what’s the holy grail piece of gear you’d buy?

I want everything in this video, but most importantly Jack Bruce’s Gibson EB complete with still-lit cigarette burning on the headstock.

4. Who is the musician you admire the most sound/gear-wise?

Gear-wise, I would say Kurt Vile.

Music production/badassery-wise, I would say Dave Grohl. He’s from the DC area like me (we had the same HS PE teacher) and he played drums in 2 of my favorite bands, Scream and Nirvana. Not to mention his philosophy on drumming, like my favorite drummer (Ringo), is the best thing ever.

5. What do you have coming up that we should know about?

We are about to release our High Deserts EP via Wiener Records on June 17 with a music video and tour to help promote. [INFO] Our official EP Release Show is Thursday, June 23, at The Music Box with Jimmy Ruelas, Bad & The Ugly and Gary Hankins & the Summer Knowledge. [INFO/TICKETS]